Senin, 21 Desember 2015

Download Questions & Answers: Secured Transactions, Multiple-Choice and Short-Answer Questions and Answers

Download Questions & Answers: Secured Transactions, Multiple-Choice and Short-Answer Questions and Answers

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Questions & Answers: Secured Transactions, Multiple-Choice and Short-Answer Questions and Answers

Questions & Answers: Secured Transactions, Multiple-Choice and Short-Answer Questions and Answers


Questions & Answers: Secured Transactions, Multiple-Choice and Short-Answer Questions and Answers


Download Questions & Answers: Secured Transactions, Multiple-Choice and Short-Answer Questions and Answers

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Questions & Answers: Secured Transactions, Multiple-Choice and Short-Answer Questions and Answers

About the Author

Bruce A. Markell is a Professor of Law at Northwestern University School of Law. Timothy Zinnecker is a Professor of Law at Campbell University School of Law.

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Product details

Series: Questions & Answers

Paperback: 285 pages

Publisher: Carolina Academic Pr; 3 edition (February 8, 2018)

Language: English

ISBN-10: 1531006892

ISBN-13: 978-1531006891

Product Dimensions:

8.5 x 0.8 x 11.2 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#149,225 in Books (See Top 100 in Books)

Don't waste your money on this edition if you can get a copy of the second edition. The authors were too lazy to create new questions for a substantial portion of this edition.A new edition should have new questions. At least change the facts and names so that the questions aren't readily identifiable from previous versions.

Awesome

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Questions & Answers: Secured Transactions, Multiple-Choice and Short-Answer Questions and Answers PDF

Questions & Answers: Secured Transactions, Multiple-Choice and Short-Answer Questions and Answers PDF

Questions & Answers: Secured Transactions, Multiple-Choice and Short-Answer Questions and Answers PDF
Questions & Answers: Secured Transactions, Multiple-Choice and Short-Answer Questions and Answers PDF

Rabu, 25 November 2015

Free PDF , by Alan Wolfelt

Free PDF , by Alan Wolfelt

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, by Alan Wolfelt

, by Alan Wolfelt


, by Alan Wolfelt


Free PDF , by Alan Wolfelt

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, by Alan Wolfelt

Product details

File Size: 895 KB

Print Length: 128 pages

Publisher: Companion Press; 1 edition (April 1, 2001)

Publication Date: March 31, 2001

Language: English

ASIN: B003553J6O

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Amazon Best Sellers Rank:

#1,431,711 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I bought this book for one of my students who lost his mother in a car accident. He absolutely loves it and that is worth its weight in gold.

Easy to read. Right to the point. We lost my ex husband to a overdose and my son has been pushing the reality of it away and this book is like a road map for healing.

I use this with my students. The ideas are short, to the point and manageable.

"Healing Your Grieving Heart" has been a good companion for me at this time of losing my mother. Following several of the suggestions have been helpful when sometimes I have felt no help was possible. Even the suggestions I didn't actively use were good to read and slowly take in. Wolflet, has honestly and deeply, not only explored, but felt his subject matter. I never knew grief could be like this. Thank God for this book and others by this caring person.

This book is wonderful. My son passed away at the age of 24 and my 15 year old daughter was finding it hard to find her way through this difficult grieving process. The book touched upon so many important and pertinent facts such as your grief is unique, just like your relationship to the person you lost is unique. Whether it's the loss of a sibling, parent, grandparent or other person in a teen's life, I think this book really addresses many of the issues that teens are concerned with when dealing with a loss in their lives.

Good ideas. Laid out as one idea at a time on each page but some pages have lots of room to spare on the page. I feel that the ideas could have been elaborated on moreso instead of just a few sentences.

The main text is in the format of a statement with bullet points and explanations. Readers are encouraged to "Express Yourself" in a journal. The text is easy to read, with the white space making the content less intimidating. The Six Needs of Mourning can help start a teen's path in grieving. It is written to teens for starting discussions with themselves or others.

For my daughter. She hasn't really read it yet

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Senin, 16 November 2015

Free PDF , by David Baldacci

Free PDF , by David Baldacci

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, by David Baldacci

, by David Baldacci


, by David Baldacci


Free PDF , by David Baldacci

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, by David Baldacci

Product details

File Size: 1565 KB

Print Length: 433 pages

Publisher: Grand Central Publishing (April 18, 2017)

Publication Date: April 18, 2017

Language: English

ASIN: B01K3WN2LS

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Amazon Best Sellers Rank:

#2,688 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

The characters in this book and previous books are well thought out and still engaging. This book was too long and repetitive. I understand that you want to be frustrated along with the central characters in that they can't figure out the motive of the crime, but the going through the details over and over was too much for me. Also Decker was less interesting this time. It took me quite awhile to finish this book.

I've thoroughly enjoyed the Amos Decker series so I was excited to see this one come out. It wasn't as good a read as the earlier installments, but it was still worth reading. My biggest complaint is that there were too many trite miracle escapes from impossible situations, including one (both the situation and the escape) that was so improbable that it truly stretches the boundaries of the known universe. This series of novels doesn't need that type of cheap storytelling--the appeal of this series is how Amos uses his amazing memory to solve mysteries, not how many impossible situations he blunders into and then miraculously escapes. In fact, this series could completely do without the dangerous situation/escape dynamic and be better off in the end. The author should leave that type of hackneyed writing to dime novels and comic books. However, all in all it was still a good read and worth the price, and I'm looking forward to the next installment, albeit with hope that it sticks to the original premise rather than trying to mix in cheap suspense.

I have read several books by Baldacci, including two of the Decker series, and find him an entertaining and engaging author most of the time. That's why this particular effort was so disappointing.The character of Amos Decker is a good one but the Fix was extremely slow-moving and repetitious. There were way too many scenes of Decker sitting and bemoaning his inability to solve the mystery. Occasionally Baldacci would toss in a bit of gunfire or a mild action sequence but then he again would have Decker sitting and complaining about how he just couldn't figure things out.I hate to say it but it is as almost as if there wasn't enough for a novel here and Baldacci felt as if he had to pad it to meet some contractual obligation.I will not give up on the author or future offerings in the Decker series but I sure hope he comes up with a stronger story next time.

The Fix is another captivating Amos Decker novel. It not only leads the reader into intriguing plot twists but gives more depth to the Amos Decker character. As Amos struggles with his past and the uncertainty of his future, all he can say is, "hold it together, Decker." Through tender exchanges with a sick boy, he finds a momentary respite from his own sadness.However, character development beyond Decker is weak and simplistic. It's like Baldacci is trying to see how far he can stretch believability. The uncanny relationship between Agent Harper Brown and Melvin Mars, with his newly acquired wealth (making an appearance from The Last Mile) is unnecessary and a little insulting. Jamison transforms from a reporter to FBI agent and has the time to manage Melvin Mars' apartment building. Jamison's bitterness towards Brown is wiped away in an instant. Really?Just build the narrative around Decker! That's where the trilogy started and he's the reason to keep reading. If secondary characters are going to move from novel to novel, they need more thought- more quality time with the author!

The characters are great. The basic plot was good. BUT... it was if the A team set up the outlines for this book, developed the great characters in the earlier books and then asked a B team to write it. Fine at first but over and over again with the "we hit a brick wall" "let's go over what we know" "decker goes thru the scene in slow mo" "aha" one more tiny piece of the puzzle. Random attempt to kill main characters and then "we hit a brick wall" "decker goes thru the scene in slow mo... " "aha" "one more tiny piece...". Really boring after the third or so round.Come on guys. Write your own stuff! Stop handing off to the B team.

What can I say different from what 1000+ other reviewers have said probably better about David Baldacci's latest book? Well how's this? I've read several of his books and each one has had the same effect on me, i.e., each was like eating a chocolate ice cream sundae that I just wanted to keep on eating and eating and eating, never stop.I have to literally tear myself away from a Baldacci book. There is no convenient place to stop. Amen."The Fix" was a tantalizing read from page one to page last. No filler in between. Amos Decker is to David Baldacci as Harry Bosch is to Michael Connelly. The rising action, the falling action, the anti climax and resolution are all top flight. I've already pre ordered his next book: "End Game (Will Robie Series". Just need to hold on until November to get it...long wait!

I really enjoyed the 1st Amos Decker novel- and then the 2nd one, but this 3rd one lost me. I thought the story line was forced and unconvincing at times and the characters lacked coherent development. The interesting hook of Decker's extraordinary memory has become something of a sideshow - and there seems to be a reluctance to stay true to the peculiarities of behaviour that made him interesting. I found the devices used to bring Melvin Mars into the story (particularly when all manner of classified secrets were shared with him) stretched the bounds of credulity.Maybe this character/concept has been taken as far as it can be?

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Kamis, 12 November 2015

PDF Ebook Play Smart Brain Boosters 4+

PDF Ebook Play Smart Brain Boosters 4+

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Play Smart Brain Boosters 4+

Play Smart Brain Boosters 4+


Play Smart Brain Boosters 4+


PDF Ebook Play Smart Brain Boosters 4+

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Play Smart Brain Boosters 4+

Review

"Each one puts the emphasis on fun, so much that kids won’t even know they’re building important skills while they trace lines and shapes, cut and paste objects, solve mazes and tackle other simple projects."—Red Tricycle"They’re created in a way where kids can play through the pages, rather than making it seem like they’re “working.”—Sweet Tooth Sweet Life“I especially appreciate that the workbooks include notes to parents on every page, offering advice on how to help children get the most out of each challenge...All the pages are colorful, engaging, fun, challenging and educational”—Outnumbered 3-1"...go above and beyond anything I've ever seen before in other workbooks I've had for our kids. The biggest way for me to know how successful they are is to see the excitement and joy on the kids' faces every time we pull them out! Learning + fun = amazing success!"—Emily Reviews“I highly recommend these workbooks. They are perfect for the different ages and they are colorful and fun. The stickers are of the highest quality that I have seen and I can see, as a former school teacher and a homeschooling mom and reviewer, that a lot of thought went into creating insightful, practical and relevant topics for little ones."—The Natural Home School

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About the Author

The Play Smart series was created by the early education experts at Gakken Publishing, the number 1 educational publisher in Japan, which uses these workbooks in more than 14,000 learning centers throughout Asia. 

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Product details

Age Range: 4 and up

Grade Level: Preschool - Kindergarten

Series: Play Smart

Paperback: 70 pages

Publisher: Gakken; Workbook edition (July 18, 2017)

Language: English

ISBN-10: 4056300194

ISBN-13: 978-4056300192

Product Dimensions:

8.2 x 0.3 x 11.9 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#23,668 in Books (See Top 100 in Books)

My 3 year old loves the Gakken workbooks. This one in particular has some easy pages and some challenging pages as well (see pictures) that she needs help with. But overall the workbooks are fun to do!

Arrived quickly in great shape. Wonderful book for eager-to-learn children.

Really cute book with heavy pages and nice illustrations. My son enjoys the activities.

I gave it as a gift, but I do like the Gakken series

My 4 year old love these books! I don't even have to ask her to do the homework.

gift for grand kids

Colorful, creative and nice variety of challenges for precocious pre-schooler

Fun book for kids.

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Senin, 02 November 2015

Free Ebook Chantress, by Amy Butler Greenfield

Free Ebook Chantress, by Amy Butler Greenfield

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Chantress, by Amy Butler Greenfield

Chantress, by Amy Butler Greenfield


Chantress, by Amy Butler Greenfield


Free Ebook Chantress, by Amy Butler Greenfield

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Chantress, by Amy Butler Greenfield

Review

"Richly and thoughtfully written." (Publishers Weekly)"[E]ngaging...girl-centric historical fantasy." (Kirkus Reviews)"Wonderfully felt, seen, and dreamed, Greenfield's debut fantasy is an enchanted read." (Franny Billingsley, National Book Award finalist and author of Chime)"I simply loved it. It was a delicious journey into a fantasy world that mingles music, magic, altered British history, and romance." (Cinda Williams Chima, NYT-bestselling author of The Demon King)"Chantress is one of those rare books that's so beautifully written you want to read it slowly and savor every word, but the story is so compelling you want to race through the pages! I loved it." (Mary Pearson, author of The Adoration of Jenna Fox and The Fox Inheritance)"With a spirited heroine, fearsome monsters, and luminous worldbuilding, this story had me hooked from the first page. CHANTRESS is truly enchanting." (Jessica Spotswood, author of Born Wicked)"Chantress is like the best kind of magic — absorbing, mysterious, and delightful." (Rebecca Stead, Newbery Medal winning author of When You Reach Me)"A pure and elevated pleasure, like strawberries of the perfect ripeness or a gorgeous aria. In Greenfield’s gripping fantasy novel the menace is palpable, and the practice of magic is described in such an evocative and haunting manner that I yearned to hear it. This exploration of the costs of a fear-based society and the real but worthwhile risks of freedom is deeply relevant to our times." (Katherine Sturtevant, author of At the Sign of the Star and A True and Faithful Narrative)"Chantress is a beguiling and mesmerizing story, full of mystery and song. From the first word, I was enchanted by Amy Butler Greenfield's unique twist on English history and by her compelling, magical, and loveable heroine, Lucy."   (Nancy Werlin, NYT-bestselling author of Impossible and Extraordinary)"[C]ompelling plot and skillful narrative style…" (Booklist)

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About the Author

Amy Butler Greenfield made her YA debut with Chantress, followed by Chantress Alchemy and Chantress Fury. Originally from the Adirondacks, Amy lives with her husband and daughter in England. Visit her at AmyButlerGreenfield.com.

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Product details

Grade Level: 7 - 12

Lexile Measure: HL680L (What's this?)

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Series: Chantress

Paperback: 352 pages

Publisher: Margaret K. McElderry Books; Reprint edition (May 6, 2014)

Language: English

ISBN-10: 144245704X

ISBN-13: 978-1442457041

Product Dimensions:

5.5 x 0.9 x 8.2 inches

Shipping Weight: 10.6 ounces (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

41 customer reviews

Amazon Best Sellers Rank:

#1,913,916 in Books (See Top 100 in Books)

I work for an audio book company, so I have to listen to and read many drab, how-in-the-hell-did-this-get-published books. I can't tell you how pleasantly surprised I was when I came across this. Definitely has a YA feel to it, but I'm twenty-five, and I found the tale to be a page turner. The language used is enough to draw you into the world and the believability never falters. I suspect this has something to do with the author's study of history. Anywho, get the book--you won't be disappointed.Thank you Amy Greenfield,Andrew Helms

As a reader of many paranormal series, I find that many become formulaic. In this book I like the characters and would like to see them developed in the next book, which is not yet written. A good storyline.

This novel pulled me in from the first page -- a girl digging in a garden on an almost uninhabited island, hearing forbidden singing in the wind... the forbidden song pulls her into a dark and dangerous 17th-century London, full of science, magic and romance. Lucy is a great character, and so is her love interest, Nat! Can't wait for more in this series.

Lucy is a curious and brave fifteen year old who finds out that she is a Chantress; a type of witch who works magic by singing. She is swept away to England, where she was born, but has little memory of. Lucy is a girl whose bravery and kindness make her extremely likable. Nat and Lucy's relationship had an interesting dynamic. He is the type of character who I immediately felt I understood. He keeps himself at a distance from Lucy at first, but we soon find out why that is. The relationship between the two of them is slow-building, and that makes it that much more believable. I felt that all of the important characters in Chantress were very well written.The world-building in this story was great. I could clearly picture each scene in my mind as if I were living it right alongside the characters. The bad guys were creepy, and there were times where I wasn't sure if certain characters may have had ulterior motives, which added an element of mystery to the story. The pacing was quick overall, though there were a couple parts that I felt dragged a bit.All in all, Chantress met all of my expectations. I felt a connection with Lucy. She has a fierce loyalty to those she loves, and put everything she had into becoming the best Chantress she could be. There is a lot of real history in this book. There is a whole section at the end where Amy Butler Greenfield tells us which parts of the story are based on real situations, places, inventions, and people from that time period. I found this quite facinating, and it gave me a whole new appreciation for her as writer.Chantress is a beautiful story of a young girl's journey to find herself and fulfill her destiny. This was a fabulous story written by a talented and informed author. I will gladly pick up any YA book that she writes in the future.Favorite Quotes:"I had to be patient, letting the future unfold in its own time and its own way.""My father used to say that if anyone is to be trusted, it is not the person who seizes power. It is the person who turns itdown. "

4 StarsA hypnotic and alluring read, that delivers magic, corruption, rebellion, a kingdom in turmoil, an evil dictator, and the fight for survival that could possibly end it all for the better or worse...The CHANTRESS was an enticing blend of fantasy and historical fiction, that intertwined magic with a splash of romance to keep the reader reading well into the night. I was instantly hooked from the very first page. And I was VERY surprised of how much I liked the CHANTRESS, as I was always reluctant to read it for numerous reasons. And I've never really been too intrigued by the plot description from the synopsis either. But fortunately as my love for the fantasy genre grew, so did my open mind for other fantasy books I've always shunned in the past and was reluctant to read. But the CHANTRESS has proved me wrong even with it's minor flaws.The first small issue I had with the CHANTRESS was the pacing of the plot. It was VERY slow paced, and felt like it was taking baby steps to progress at some points. The plot was interesting, but the paced it moved threw me off a bit. I would of liked a faster plot, and it definitely could of benefited with an increase of action and adventure. Though it did have it's fair share of adventure, it needed, in my opinion more action.The other issue I had with the CHANTRESS was the romance. Now don't get me wrong, I liked that it was slow burning and not rushed at all. But it was too slow, and barely even any romance at all, at least not until the last chapter or so. And even then, it wasn't even really there either. But I did think that Lucy and her "kinda" love interest Nat made a cute couple, and I really hope we get more from their relationship in the next book, CHANTRESS ALCHEMY.But slow pace and lack of romance aside, I really enjoyed the foundation of this world and the things that did happen, even with the lack of suspense. The characters, especially Lucy, Nat, and Nat's adopted father figure Penebrygg were awesome characters and had such a strong voice that it would be nearly impossible not to like them. Even though none of them were the "normal" type of characters I usually read. I still enjoyed their voices and character traits, and the fleshed out development that Butler instilled in her wonderful cast of characters that I just loved to pieces.THE PLOT:"Sing, and the darkness will find you."Lucy has lost everything because of one man, now it's time to awaken the power pulsing inside, and save London from the monsters unleashed to devourer it from the inside out...Shipwrecked on a island since she was eight-years-old, Lucy remembers very little of her life before then. She knows that her mother was lost at sea when they boarded that dreadful ship that deserted them to this abandoned island they now call home. Only other person she's seen since that shipwreck seven-long-years-ago, is her mother-like nurse Norrie that has kept her alive all these lonely years. But Lucy yearns to be free, to return to her hometown of London where her memories hide. But with no hope of rescue, Lucy and her nurse are destine to remain on that island for the rest of their days. Until the darkness she's been warned about finds her. And she's swept into a tornado of wind that tosses her in the very place she desired most, London. But right in the middle of grave danger...Back in London and more alone then she's ever been, Lucy finds the hard way that the kingdom has fallen into vengeful hands. Crowned to a boy-king in name only, but ruled by Scargrave and his vile creatures the Shadowgrims that are capable of tearing a man apart from the inside out, stripping him of all sense of sanity and humanity, and making him into a walking talking Shadowgrim lackey, only breathing to do their bidding...But that's not all Lucy discovers on her journey back to her hometown of London. It's revealed that she is a Chantress, and the very last one of her kind after Scargrave and his creatures the Shadowgrims, the only thing capable of defeating a Chantress hunted down every last one of them, and killed them all. Being the last Chantress, and an untrained one at that, Lucy is playing with fire, and is bound to get burned...But then Lucy stumbles upon members of a rebellion, working from the shadows to find ways with their intelligence to outwit Scargrave and his creature army. But now with a Chantress walking right into their needing hands, they may have just found the ultimate weapon to defeat them once and for all...Lucy will have to discover her true self and what it truly means to be a Chantress to stop the evil threatening to tear London apart. Being the only one strong enough to even stand a chance against Scargrave and his pet Shadowgrims, Lucy must learn as much as she can about herself and the power she possess within if she's going to have any chance of standing against them and prevailing once and for all.The CHANTRESS was a GREAT start to an amazing series that I absolutely adored! I plan to binge read book two and three as soon as possible. Because I'm dying to know what Lucy and her little gang will endure next. And the limits to which Lucy will be tested to achieve whatever new threat awaits her at the end of this epic trilogy that I know will NOT disappoint.Overall, the CHANTRESS was more then I anticipated, and though it was very slow paced, and I wanted a little bit more from the romance, I still found myself easily engrossed in the story and characters no matter it's flaws. And I am so happy I decided to give this book it's fair shot, and I'm eagerly anticipating continuing this series and the next journey it brings!! If you like magical worlds with VERY slow burning romance, a kingdom on the verge of self destruction, with evil lurking from the sky and around the corner, then CHANTRESS is one read you DON'T want to miss!!NOTE: I received a physical ARC from Simon & Schuster for reviewing purposes! All opinions express are my own and are not influenced in any way!A magical, musical read, that will leave you enchanted....

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Sabtu, 10 Oktober 2015

Get Free Ebook Misquoting Jesus: The Story Behind Who Changed the Bible and Why, by Bart D. Ehrman

Get Free Ebook Misquoting Jesus: The Story Behind Who Changed the Bible and Why, by Bart D. Ehrman

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Misquoting Jesus: The Story Behind Who Changed the Bible and Why, by Bart D. Ehrman

Misquoting Jesus: The Story Behind Who Changed the Bible and Why, by Bart D. Ehrman


Misquoting Jesus: The Story Behind Who Changed the Bible and Why, by Bart D. Ehrman


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Misquoting Jesus: The Story Behind Who Changed the Bible and Why, by Bart D. Ehrman

From Booklist

The popular perception of the Bible as a divinely perfect book receives scant support from Ehrman, who sees in Holy Writ ample evidence of human fallibility and ecclesiastical politics. Though himself schooled in evangelical literalism, Ehrman has come to regard his earlier faith in the inerrant inspiration of the Bible as misguided, given that the original texts have disappeared and that the extant texts available do not agree with one another. Most of the textual discrepancies, Ehrman acknowledges, matter little, but some do profoundly affect religious doctrine. To assess how ignorant or theologically manipulative scribes may have changed the biblical text, modern scholars have developed procedures for comparing diverging texts. And in language accessible to nonspecialists, Ehrman explains these procedures and their results. He further explains why textual criticism has frequently sparked intense controversy, especially among scripture-alone Protestants. In discounting not only the authenticity of existing manuscripts but also the inspiration of the original writers, Ehrman will deeply divide his readers. Although he addresses a popular audience, he undercuts the very religious attitudes that have made the Bible a popular book. Still, this is a useful overview for biblical history collections. Bryce ChristensenCopyright © American Library Association. All rights reserved

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Review

“Offers a fascinating look into the field of textual criticism and evidence that Scriptures have been altered.” (Charleston Post & Courier)“Whichever side you sit on regarding Biblical inerrancy, this is a rewarding read.” (Dallas Morning News)“One of the unlikeliest bestsellers of the year.” (Washington Post)“Misquoting Jesus is a godsend.” (Philadelphia Inquirer)

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Product details

Hardcover: 256 pages

Publisher: HarperOne; Later Printing edition (November 1, 2005)

Language: English

ISBN-10: 0060738170

ISBN-13: 978-0060738174

Product Dimensions:

6 x 0.9 x 9 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

987 customer reviews

Amazon Best Sellers Rank:

#44,826 in Books (See Top 100 in Books)

The author claims to be a leading authority on the Bible and the subtitle of this book is, "The story behind who changed the Bible and why". Here's are the core problems with this book: 1) The "Bible" wasn't changed; the ancient scriptures were changed by the Church to INVENT the thing we commonly know as "The Bible". 2) Ironically, the author believes in and tells his OWN STORIES—folklore...fairy tales—about "Jesus" that are NOT EVEN IN THE BIBLE. And you KNOW that when someone is on a first-name basis with "Jesus" that they are treating "Jesus" as a real name (which it is known that it is NOT, NOR IS "CHRIST"; they are descriptives)…and a real person…which raises the question: If "Jesus" is a real person and alive and well, why isn't "he" ruling the world instead of the Pope? He admits to being a former evangelical Christian/Bible fundamentalist who studied intensively at the "Moody Bible Institute" and was taught "salvation". Not a good start. There ARE a couple of small redeeming comments in the book, but he is definitely, NOT a "world-class biblical scholar"…only claiming to be…anyone can and does. ADDITIONALLY, my copy is missing text (sentences end in midstream) and repeating text: a very poor way to release a book, "HARPER".

Ehrman argues for two theses, one practical and one more abstract.The practical thesis can be summarized as: We do not possess any of the original writings of the New Testament, and the copies we have are riddled with negligent and/or intentional alterations. Therefore, the New Testament we read today, which is based upon numerous altered copies, is not very close to the original text. And if the original text is the Word of God, the Word of God is lost.The abstract thesis can be summarized as: For any text, both the author's and the reader's subjective beliefs and experiences condition the meaning of the words, and therefore color the interpretation of the text. As a result, there is no such thing as an objectively true interpretation of a text. The search for the "correct" meaning is fruitless. Therefore, no one can claim to know the true meaning of the text of the New Testament.The upshot? The New Testament we read today is of human, and not divine, origin (practical thesis), and, in any event, any claim to "the One True Interpretation" is in principle false (abstract thesis).I will not take a stand on Ehrman's claims but hope I've faithfully outlined them for people deciding whether to purchase the book. I am familiar with but not well-versed in either the New Testament or textual criticism. Nonetheless, I found his arguments and analysis easy to track. The broad historical information was interesting, and the biblical passages he focuses on to illustrate his points are engaging instead of arcane. Some may consider this book anti-religious, but Ehrman's tone is respectful and honest, not polemical. For such a short, accessible book, the reader can gain a lot from reading it.

A well written book about the evolution of the Bible, particularly the New Testament, and how our present text came to be in all its various forms. Dr. Ehrman begins with a brief summary of his own life. From an "ordinary kid" he becomes a fundamentalist Christian believing the Bible to be wholly inspired. During his graduate program in a Christian school he develops an interest in the wide variety of historical documents that have, through many generations come down to us a our present Bible. He becomes, in short, a textual-scholar, and has an epiphany!Ehrman quickly learns that there are no longer any "original texts" anywhere. The earliest texts found, more fragmented the farther back one goes, come from the 2nd century some 100 years after Jesus' death. None of the original Apostles, nor Paul are any longer alive at that point, and what early notes exist for geographically fragmented communities are already copies of lost originals. Even if the literal-original writing was "inspired by God" as fundamentalists claim, by the opening of the 2nd century the earliest copies of these writings have already passed through human hands and the real originals are no more. Except for the Christian community of Alexandria where professional scribes already existed, all of the early copies were made by amateur believers who, as it happened could read and write, and so copied texts for their congregations; sometimes well and sometimes poorly. It was not until late in the 4th century that more professional scribes assumed the copyist role.Roughly the first half of the book is taken up with the history of textual criticism. Ehrman leads us through early (17th century) classification attempts and the techniques developed to determine which texts were "more original" than others. Ehrman notes that in many many cases even that matter cannot be decided with any finality. That the modern obsession with the text began after the Reformation is no accident. Protestant scholars were far more compulsive about the text than Catholics. Protestant theology and doctrine rests entirely on the text, while Catholicism has its priestly class for precisely the task of interpreting the text in what ever form it takes. By the 18th century, scholars had identified some 30,000 textual variations in the manuscripts that come together as the then relatively stabilized New Testament.Most of these variations were simply mistakes made by non-professional copyists. Sometimes they left out a word or whole sentences. Sometimes what there were of literal originals were physically degraded even when first copied. Copyists sometimes had to "fill in the blanks", a smudged word, or a bleed-through from some earlier text on the page for example. So why not go back to the more professional Alexandrian texts and call those "closest to original"? Because while the vast majority of changes were copy errors, not all were merely that. Here and there changes were made for theological and socio-political reasons. In point of fact (something he does not mention) the Alexandrian scholars were among those who, by the early 5th Century, were considered among the heretical sects by the then solidifying Roman Church. Ehrman does not mention is the textual difference between the modern Western (Roman) and Eastern (Greek and Eastern European "Orthodox") churches. His aim is historical, and he does cover the early Greek texts whose alterations became mixed in with all of the others.In the second half of the book Ehrman covers three types of changes made deliberately by one group of copyists or another so as to make the text easier to read and better line up with the various theological opinions and social controversies of the time, each propounded by groups of believers who were doing their own copying! In the end, Ehrman is forced to conclude that even the lost originals were probably not autodidacts (texts dictated by God) because if God had wanted Christians to have his un-corrupted words in perpetuity, He would have made sure the originals survived.I gave the book 5 stars not because the book's subject was of great interest to me, but because Dr. Ehrman does such a marvelous job of treating a scholarly subject (many many references are provided) with easy to read language aimed at non-scholars of the subject like myself.

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Minggu, 04 Oktober 2015

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File Size: 22402 KB

Print Length: 384 pages

Publisher: For Dummies; 1 edition (December 15, 2017)

Publication Date: December 15, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B078HXDWZ1

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Rabu, 16 September 2015

Download Our America: A Hispanic History of the United States

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Our America: A Hispanic History of the United States

Our America: A Hispanic History of the United States


Our America: A Hispanic History of the United States


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Our America: A Hispanic History of the United States

Review

“A rich and moving chronicle…Perhaps the first history to make the case for this nation’s becoming a bright Latin American country.” - Julio Ortega, New York Times Book Review“Exceedingly well-written and engaging.” - Hector Tobar, Los Angeles Times“Triumphantly rescues Hispanic America from obscurity.” - The Economist“A valuable contribution to those seeking a broader understanding of U.S. history.” - Janet Napolitano, The Wall Street Journal“With a lucid, engaging style, [Fernández-Armesto] seeks to understand the continuity between the Spanish colonization and the fight for justice led by the Chicano movement in the sixties and by immigration advocates today…This is an invitation to look at America in full!” - Ilan Stavans, general editor of The Norton Anthology of Latino History“In enviably lyrical prose, Felipe Fernández-Armesto has written a bold and compelling synthesis of our nation’s Hispanic past, from the Spanish arrival in the late fifteenth century to the current and contentious debate over immigration reform. Marshaling famous and forgotten individuals and events, he reminds us that there is much more to America’s story than simply Massachusetts Pilgrims and Virginia Cavaliers.” - Andrew R. Graybill, director, Clements Center for Southwest Studies, Southern Methodist University

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About the Author

Felipe Fernández-Armesto, the William P. Reynolds Professor of History at the University of Notre Dame, is the author of Pathfinders: A Global History of Exploration and Our America: A Hispanic History of the United States. He lives in South Bend, Indiana, and London.

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Product details

Paperback: 416 pages

Publisher: W. W. Norton & Company; 1 edition (December 8, 2014)

Language: English

ISBN-10: 0393349829

ISBN-13: 978-0393349825

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5.5 x 1.2 x 8.2 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

43 customer reviews

Amazon Best Sellers Rank:

#275,225 in Books (See Top 100 in Books)

For all the people complaining about so-called immigrants and immigration, this book should be required reading. It might help settle down a discourse that isn't based on any factual knowledge.Now, that's not the slant of this book. That's just my opinion. Sadly, the author believes that the wave of anti-immigration legislation is waning, but that's not my perception; just read the posts following any blog or article on the whole immigration issue. In my view, the issue remains quite volatile in this country.The author, on the other hand, taps into the evolution of Hispanic America and its intermingling with the other cultures that have been here, past and present. As he points out, we can't focus on one group of people---in this case, Hispanics---without looking at the overlap of Anglo, Native American, African American, etc.Living in New Mexico, we sometimes like to think that Hispanic America started here and branched outward. Granted, one cannot ignore the role that this region of the country has played in Hispanic/Mexican/Spanish history. In contrast to most other areas of the country, these ties are still quite strong, such that our State constitution is written in English and Spanish; 50+ % of the people in the state speak Spanish on a regular basis; most residents can trace their family origins to Mexico or Spain; and our cuisine reflects the blending of ingredients that have come from regions near and far.This book, however, reminds us that there is more to Hispanic America than what has been happening in New Mexico for 400+ years. Rather, many other states---mostly border or coastal---have also played an instrumental role. Most recently, this has been through Mexican immigration, though the role of the Cuban in this culture is adequately addressed in the book.This book is well-researched/referenced, with a good number of anecdotes from those who live here. Religion doesn't come out looking too good in this volume, but then, isn't that the root cause of many of the problems with multiculturalism, here or anywhere else in the world.Christopher Alexander[...]

While this book will evoke much resonance for its contemporaneity, its good sense, it is an historical provocationof the first order; it is the wealth of historical detail which appeals to this reader. For instance, when the Jesuits were expelled from Spanish lands in 1767, "The Baja was virtually a Jesuit republic. The expulsion...deprived the monarchy of its most determined frontiersmen"(112). The ways in which accommodation were reached between brothers and indios are multiple; for instance, while the brothers were strict enough on sexaul matters, locking up Indian girls, they were more indulgent on indifferent traditions like dancing and traditional healing" (115). The towns around the missions grew little in the late 18C, partly because of the indios' desire for their former hunting life, partly because farming brought better diet, fattening and sickening. (Hmm.. Is that an historical or a 21st C point?) And the internecine struggles between secular administrators and the monasteries provide fruitful accounts ofhuman individualities and differences. For instance, it must have proven difficult to impress Fray Jose Maria Zalvidea, who "constantly flogged himself, wore hairshirt, and drove nails into his feet." Others had spasms of drunkenness and lunacy, perhaps indistinguishable. Meanwhile, some administrators threatened to take away the mission lands (which they had by royal grant) and authority, including their right to confirm baptized indios. Seems like England's Henry VIII was not alone in considering the acquisition of institutions built by the enticements and amalgamations of the religious.

This is one of the most thought-provoking books about the USA in years. Let's start with the author. His father is from Spain (Galicia) and his mother is English. He grew up in Britain and was educated there, and has taught at American universities. He is therefore bicultural, both English and Spanish, and his perspective is about as unique as you can get. He is a brilliant historian, apparently a good teacher, and an extremely good writer. He writes as an American immigrant, as an historian, and as an Hispanic. His purpose in writing is to throw light on the changing Hispanic influence on the USA.The book really has three parts. The first details Spanish--not Mexican--exploration and settlement. In much of what is now the United States, the Spanish were here first, sometimes longest and most intensively. By that measure, we are historically Hispanic. He discusses California (one of his most interesting sections), explored and finally settled by the Spanish. So with New Mexico. Texas and Arizona too, but smaller populations. Those places were Hispanic and therefore...well you see the point. The intense and long duration of Spanish presence in parts of what is now the United States is usually glossed over, and many see Hispanics as invaders (when the Anglos were the invaders, in Florida for example). There are also parts of the USA that we forget have a long Spanish presence--Puerto Rico, Guam. He is absolutely convincing on the historic Hispanic presence. At the same time, he has a wonderful take on the settlement of the British colonies. The argument is that the British colonies expanded to the west and the Hispanics to the north, and where the two crossed is a fertile and contentious ground for conflict and cross-fertilization.A second part, not really sequential, is the experience of Hispanics in the USA until recent times. The treaty ending the Mexican War guaranteed citizenship and rights for Hispanics who did not wish to leave for Mexico. These people were systematically hounded out of their land, denied representation and denied opportunity, sometimes by fraud and sometimes by lynching and other means of terror, particularly in Texas. The need for labor, the legacy Hispanic populations and politics in Mexico are all part of an extremely complicated social history involving the Southwest particularly. Hispanics were treated quite as badly as African Americans were, and were subject to the same institutional racism that denied equal access, and caused such horrific episodes as mandatory sterilization for some caught up in the criminal system. He details the struggle for equal rights, in a fascinating section. Note that it is by no means that Anglos are the bad guys and Hispanics in the white hats. In one section of some length, he explores the Mormon experience, extremely positive on that historical experience.The third part looks at current trends and Hispanics in the later 20th century and in this new century. Hispanics have always been here, and immigration is vastly increasing the population, but now most of the increase is the children of the initial waves. Perhaps 60% have their origin in Mexico--but millions originate and millions still live in Hispanic United States, in Puerto Rico, American now for well over 100 years.The book ends with what really is a separate essay. He looks at the idea of the Protestant work ethic a la Max Weber, and systematically demolishes it. His point is that much of what is usually identified as distinctly American is not, and is simply a variation on common themes existing in all the American nations. He does present a strongly favorable account of Catholicism, not to denigrate US Protestants, but to correct a number of baleful assumptions about Catholic immigrants. He notes that the vaunted American individualism exists, but that the community and even communitarian impulse is just as strong, and that most people in the USA participate in groups of many kinds. I suspect it is this section that has caused those extremely negative reviews several readers have written. This book is not an apologia for Catholicism. It does not claim the USA should be returned to Mexico. He's also not optimistic about the prospect of Spanish surviving. The Hispanic portion of the USA. a hundred million by mid century, is likely to speak English, be increasingly Protestant and be thoroughly Americanized. And in my opinion, that bodes extremely well for this country of mine. And his. And my/his country is multi-cultural, not just a melding of Hispanic and Anglo, but Asian, African American, Indian and the others we will be fortunate to have as new citizens.This is not an easy read. But the subject is surpassingly important. You'll find out a lot of things, some trivial, some key, some sad, some joyful. But read the book!

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Jumat, 28 Agustus 2015

Ebook Renewing The Mind 101: A Practical Guide and Devotional

Ebook Renewing The Mind 101: A Practical Guide and Devotional

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Renewing The Mind 101: A Practical Guide and Devotional

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Paperback: 267 pages

Publisher: Independently published (March 9, 2019)

Language: English

ISBN-10: 1798976005

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Minggu, 09 Agustus 2015

Download PDF , by N. T. Wright

Download PDF , by N. T. Wright

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, by N. T. Wright

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Publisher: Fortress Press; 1st North American edition (January 1, 1992)

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In the closing pages of this remarkable book, the author writes on the question of God (or god, for which he makes the case in the Preface) -- the meaning of the word ‘god’ lies at the heart of his preceding account of first-century communities, mainly Jews and Christians but also various pagan factions. Reviewing briefly their competing claims, he says, “There is no neutral ground here. We are at the level of worldview, and here ultimate choices are involved.”The New Testament and the People of God introduces a grand multi-volume project carrying the overall title, Christian Origins and the Question of God; but it can stand on its own as a work worthy of close examination. Author N. T. Wright, theologian, historian and at one time Bishop of Durham, mentions here and there that he could not go into full detail in a book of this scope, yet the study is surprisingly thorough in setting the stage for the following volumes. Looking forward, he explains the need to apply three disciplines in the study of the NT: literary, historical and theological, which he seeks to integrate, even as he recognizes that one or another may be the main applicable discipline, supplemented by the other two. Thus, “In a sense, the study of Jesus is first and foremost a matter of history, needing careful ancillary use of literary study of the texts and theological study of the implications.” Or, “the study of Paul is a matter of theology, needing careful ancillary historical and literary work.” And, “studying the gospels in their own right is first and foremost a literary task, but it cannot be done without careful attention to the historical and theological setting, context and implications.”Before going into the core of the book, the parts dealing respectively with first-century Judaism and the first Christian century, readers would do well to heed Wright’s advice in the preceding section: “Those who are eager to get on with what they see as the real business are, of course, welcome to skip this section, but they must not mind if by doing so they run into puzzles at a later stage.” Here he discusses: the variety and problems of knowledge and his adoption of critical realism as his favored approach; the crucial role of stories as an expression of the all-important worldviews of communities -- worldview being the lens through which people perceive reality; the analysis of narratives (following the work of Griemas); the interplay within worldviews of stories, cultural symbols, social conventions and practice, and the answers to existential questions (who are we, where are we, what is wrong, what is the solution?); the impossibility of “mere history”, all history being interpreted history; and the interrelation of worldview and theology, as he argues that “worldviews are in fact, from one point of view, profoundly *theological*” (author's emphasis). I have selectively gleaned these highlights from more than a hundred packed pages that aim to arm the careful reader with the necessary background for an intelligent reading of the rest of the book.In the next and longest part of the book, we see all these ideas and elements at play, as the author sketches the history of Israel from the Babylonian exile to the destruction of the second temple by the Romans, describes the diverse outlooks of first-century Judaism within the Greco-Roman world, and writes with considerable detail of Israel’s beliefs and hopes. He starts by asserting the necessity of the task: “To understand the origins of Christianity, and the terms in which the question of god was posed and answered within it … we must gain as accurate an understanding as possible of the Judaism(s) in which Jesus and Paul grew up, and to which they related in various ways during their active ministries.” As he tells it, worldview takes center stage. First-century Judaism’s main feature was a worldview that encompassed all aspects of reality, with a focus on expectations longed for but not yet realized. As in some of his other publications, Wright insists that most Jews of the period thought of themselves as still being in a state of exile, since the hopeful promises of the prophets had not been realized, and they still bore the brunt of foreign rulers and their surrogates: theirs was a story awaiting completion. (This view has not gone unchallenged by other scholars; the author himself acknowledges early in the book that some of his conclusions may well be provisional or controversial.) He goes over the centrality of scripture as the mainstay of Judaism’s worldview; Israel’s major beliefs of monotheism, election and covenant; and Israel’s hope of complete restoration, the kingship of their god, the renewal of everything, and the age to come. Early Christians shared with Jews the same biblical story; and it is here, Wright suggests, that fundamental continuity is to be sought. But the denouement was different. While Jews waited in expectation for the covenant god’s great act of liberation, Christians avowed that in the event of Jesus this same god had already done that -- though here I have run a bit ahead of the author’s ordered presentation.Wright thinks that Christianity spread because “early Christians believed that what they found to be true was true for the whole world. The impetus to mission sprang from the very heart of Christian conviction.” Appropriately, then, the opening chapter of his reading of the first Christian century carries the title, The Quest for the Kerygmatic Church. But the quest was and remains problematic because of the paucity of ancient sources and other materials bearing on the subject. The author considers that much of the attempts to write a history of early Christianity using the accepted methods has been speculative or based on false assumptions. He resorts, instead, to studying the elements of the early Christian worldview, which he believes would yield clear impressions and some preliminary conclusions about the movement. His discussion of the praxis and symbols of the community, of questions asked and answered, and of stories told, all as expressions of this worldview, stretches over three chapters. A fifth chapter presents a preliminary sketch of early Christianity. It is impossible to go into the details here (as it is indeed the case for the other parts of the review). What emerges is a Christianity born of the first-century Jewish milieu and expectations -- yet the transformation in the light of Jesus’ death and resurrection was radical. The Jewish symbols, which Wright had discussed in the preceding section of the book, provide an example: Temple was now spoken of metaphorically; Torah was reinterpreted to show that through the story of Israel the one god had prepared for the coming of Christ; instead of Land, it was now the whole world; and the Jews' national self-understanding, that they were uniquely the people of the covenant god, became a matter of Jew and Gentile being one in Christ. Such a challenge to the Jewish symbolic world was bound to trigger a response that went as far as the persecution of early Christians. Wright comments: “Once we understand how worldviews function, we can see that the Jewish neighbours of early Christians must have regarded them, not as a lover of Monet regards a lover of Picasso, but as a lover of painting regards one who deliberately sets fire to art galleries -- and who claims to do so in the service of art.” We also get a quick view of the theology and hopes of early Christians, subjects that no doubt will be treated at length in the following volumes.The concluding part of the book includes a brief discussion of Jesus, then the NT and its authority. But the crux of the chapter deals with the question of god, which brings us back to where this review started. This is not the end, of course, but the start of a great effort by a distinguished scholar to answer two unavoidable questions that he has put forth: “(1) How did Christianity begin, and why did it take the shape that it did? and (2) What does Christianity believe, and does it make sense?” Of the ongoing project, volumes on Jesus, the Resurrection, and Paul have followed this one; yet to appear are a study of the gospels and a concluding volume that presumably would summarize and tie everything together.

This is not the first Wright book I have read. I'm a "fan" of his writing and point of view. Therefore I was willing to wade through the first hundred pages in which he makes the obligatory academic defense of his method. For the reader who just wants to know what he has to say, skip it and start with his background of Jewish history and faith culture. Suddenly the New Testament makes sense in ways it never did before. We Christians are not Jews, but we get lost trying to understand our own gospels if we don't pay attention to the milieu and thought patterns of our cousins the Jews. I am more than happy to toss Bultmann out the window after reading Wright's approach. The shortcomings of many other academic approaches are also rightly exposed. Great stuff!

Tom Wright is a leading New Testament scholar and retired Anglican priest and bishop in Europe. His works have had considerable influence in New Testament scholarship in recent decades. This book is the first of his multivolume work on New Testament history and theology. This first book in the series deals mostly with setting the stage for the later volumes by laying the foundational groundwork by which Wright will proceed. Wright makes his aim for this volume (and the whole series) clear when he suggests that the New Testament “Must be read so as to be understood, read within appropriate contexts, within an acoustic which will allow its full overtones to be heard.” (6) This aim is clear throughout, as Wright seats the New Testament within its historical context. The book is broken into five parts consisting of sixteen total chapters. Part I is only one chapter long and serves as an introduction to the task at hand. In this chapter Wright discusses the four main ways the New Testament has been read in recent centuries: pre-critical, historical, theological, and post-modern, noting key characteristics of each. Wright determines that New Testament history and theology should not be separated and he aims to unite the two in this work. Part II consists of four chapters in which Wright attempts to lay out the “Tools for the Task.” He argues for what he calls a ‘critical-realist epistemology’ which tries to take seriously the premodern sense of the New Testament’s authority, the modern insistence on the value of history, and the postmodern emphasis on critically understanding the reading process itself and the reader. Wright says that his epistemological position acknowledges the “reality of the thing known, as something other than the knower, while also fully acknowledging that the only access we have to this reality lies along the spiraling path of appropriate dialogue or conversation between the knower and the thing known. (35 italics excluded) Wright critiques the common idea of a ‘neutral’ or ‘objective’ observer, noting that this is actually impossible and that everyone writes (and lives) within a certain worldview. Wright describes story as the basic category and characteristic of worldview. Worldview narratives compete for subversion of one another. Christianity as a public proclaimed worldview story aims to subvert other world views, begging the question of which worldview is best? Since everyone operates within a worldview, presuming their worldview to be right, we must abandon the ‘hard and fast’ distinction between the subjective and objective. The two are always combined and we therefore ought to hear other worldviews and try to determine which one is right. It is with the view of human writing as worldview articulation through story that Wright proceeds to a discussion of history. Wright points out that history is neither bare facts nor ‘subjective interpretations’ but rather “the meaningful narrative of events and intentions.” (82) History writing always is by its very nature selective and interpretive. Ancient historians knew about being critical with their writing but did not share the impossible intention to be “objective.” For theses reasons the subversive stories of the New Testament should be evaluated comparatively with other worldviews. The bottom line here is that all history is in fact interpretive history. Most scholars want to dismiss the history of the gospels because the eighteenth century rationalist/enlightenment worldview excludes the possibility of other worldviews. (92) Wright states that worldviews involve “The presuppositional, pre-cognitive stage of a culture or society.” (122) A worldview is the lens through which every individual and society views anything. Further, all worldviews have theological elements embedded in them, highlighting the ‘God-dimension’ of the worldview. The theology of the Christian worldview sets forth a comprehensive and subversive worldview about all of reality as public truth. Wright goes on to argue that we need to approach the New Testament using the historical method and on the basis of hypothesis and verification. A good hypothesis should 1) get all the data, 2) be (relatively) simple, and 3) help to explain other related issues and problems. (100) The best hypothesis encompassing all the data of early Christianity and remaining fairly simple in relation to other hypotheses should be chosen. Part III is the largest part of the book and contains five chapters dealing with first century Judaism. Though Wright recognizes the great diversity found within first century Judaism, he still finds much to be characteristic of the vast majority. He discusses these similarities by looking at the stories, symbols, practices, beliefs and hopes of Israel. Wright posits that the all encompassing worldview of the first century Jew expected to see the purposes of the covenant God for his people realized. Since the Babylonian exile Israel had always had some type of overlord, leading to the expectancy of some type of full liberation from exile yet to come. These Jews did not expect some Western-type heavenly disembodies bliss, but longed for a real deliverance on their land and a liberation akin to the Exodus or Maccabean revolt. (170) The average Jew was waiting for a conclusion to their story. The primary symbols of the worldview were Temple, Land, Torah, and Racial Identity. The main practices of Torah observance were circumcision, Sabbath and kosher laws. Monotheism, election and eschatology are considered by Wright to be the three major beliefs central to the first century Jewish worldview. The average Jew would have also hoped for salvation (defined as rescue from oppression), resurrection, and idealized life under the proper reign of God. In part IV Wright finally spends five chapters looking at the first Christian century, reading their story(s) in the light of the second temple Jewish context laid out in part III. After laying some historical groundwork Wright evaluates the practices, symbols and stories of the early Christian movement. The three main practices of the early movement were missionary work, baptism, and the Eucharist. All three of which were firmly established in the middle of the first century. Early Christianity did not share the same symbols as their pagan and Jewish neighbors, but had as its major symbol the cross. Wright’s evaluation of the early Christian stories includes discussion of Matthew, Mark, Luke, John, Paul. He locates all of them firmly in the first century Jewish milieu but yet sees them as having redefined the central Jewish beliefs due to understanding Christ as the climax and continuation of Israel’s story. All five are telling a subversive version of the larger Jewish story which the world is to hear. Wright also discusses ‘shorter stories’ which is essentially a discussion of form criticism. Wright then provides a preliminary sketch of the early Christian movement, noting the missionary nature, symbols, familial and socio-political aspects of the community, and broad diversity. He also notes the nature of Christian theology as Jewish theology redrawn around Jesus and the divine spirit, with the hope of the return of Christ, resurrection and a new heavens and new earth to dwell in. This book is very dense and detailed and contains so many smaller arguments embedded within the large arguments that it would be difficult to discuss them all. The book seemed to me to be well argued and very thoughtful. It was unique how Wright proceeded on almost ‘secular’ type historical grounds and still worked his way to very conservative conclusions. The analysis of Judaism was very helpful and illuminating for New Testament study. His early chapters focusing on history writing as interpretation of events through a particular worldview lens provide an excellent foundation for New Testament studies which should have to be reckoned with. Though this book is somewhat laborious to wade through, I think it was well worth the effort and serious students of the New Testament should probably put in the hours to get through it.

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